{"id":127,"date":"2017-07-20T21:44:37","date_gmt":"2017-07-20T19:44:37","guid":{"rendered":"http:\/\/www.alfredo-arias.com\/new\/?p=127"},"modified":"2017-07-24T20:04:58","modified_gmt":"2017-07-24T18:04:58","slug":"lecriture-retrouvee","status":"publish","type":"post","link":"https:\/\/alfredo-arias.com\/new\/lecriture-retrouvee\/","title":{"rendered":"L’\u00e9criture retrouv\u00e9e"},"content":{"rendered":"
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Alfredo Arias
\nEntretiens avec Herv\u00e9 Pons
\nSortie le 20 mars 2008 aux Editions du Rocher<\/p>\n

La recherche d\u2019Alfredo Arias, entre Argentine et France, est extr\u00eamement singuli\u00e8re. L\u2019auteur, metteur en sc\u00e8ne internationalement reconnu, c\u00e9l\u00e9br\u00e9 comme un ma\u00eetre dans les grandes capitales europ\u00e9ennes, conserve un brin de folie qui le place en marge des courants et des modes. Pris entre deux continents, il marche sur le fil d\u2019un langage perp\u00e9tuellement r\u00e9invent\u00e9.
\nAlfredo Arias et quelques compagnons de route fuyant la censure politique argentine arriv\u00e8rent en France \u00e0 la fin des ann\u00e9es 60, apr\u00e8s un passage \u00e9clatant par New-York. Ils suscit\u00e8rent un vif int\u00e9r\u00eat \u00e0 Paris, notamment avec la mise en sc\u00e8ne d\u2019Eva Peron<\/em>\u00a0de Copi\u2026<\/p>\n

Alfredo Arias et le Groupe TSE, invit\u00e9s au Th\u00e9\u00e2tre National de Chaillot puis dans d\u2019autres prestigieux th\u00e9\u00e2tres, cr\u00e9\u00e8rent plusieurs spectacles qui marqu\u00e8rent les esprits, tant ils imposaient un langage th\u00e9\u00e2tral nouveau, m\u00ealant danse, th\u00e9\u00e2tre, musique et dialogues po\u00e9tiques. Bien qu\u2019il ait abord\u00e9 le r\u00e9pertoire classique alors qu\u2019il \u00e9tait directeur du Centre Dramatique National d\u2019Aubervilliers, ce sont sans doute ses cr\u00e9ations originales qui caract\u00e9risent le mieux son \u0153uvre. Parmi elles, on citera \u00e9videmment la revue\u00a0Mortadela<\/em>, Moli\u00e8re 1992 du meilleur spectacle musical.
\nL\u2019univers d\u2019Alfredo Arias trouve une unit\u00e9 rapidement identifiable et rencontre l\u2019adh\u00e9sion d\u2019un tr\u00e8s large public, car son monde est domin\u00e9 par la f\u00e9erie, le r\u00eave et l\u2019humour. Son \u0153uvre est aussi \u00e9rudite, sophistiqu\u00e9e et s\u00e9duisante, qu\u2019elle est profonde, puisant dans une enfance hors du commun des ressources infinies.
\nAlfredo Arias, qui est \u00e9galement r\u00e9alisateur de cin\u00e9ma et metteur en sc\u00e8ne d\u2019op\u00e9ras, s\u2019est toujours entour\u00e9 d\u2019artistes, \u00e9crivains, plasticiens, musiciens ou com\u00e9diens, comme Copi, Ren\u00e9 de Ceccatty, Chantal Thomas, Marilu Marini, Roberto Plate, Facundo et Marucha Bo\u2026
\nVariations autour du langage, ces six entretiens, \u00abLe miracle de la langue\u00bb, \u00abUne Parole en contre\u00bb, \u00abLa R\u00e9v\u00e9lation du langage\u00bb, \u00abLa Perte du langage\u00bb, \u00abL\u2019\u00c9criture accompagn\u00e9e\u00bb, \u00abLe Langage retrouv\u00e9\u00bb, parcourent une vie et une \u0153uvre tendues entre deux cultures, trouvant dans un pass\u00e9 \u00e9clat\u00e9 des bribes d\u2019identit\u00e9 afin de reconstituer une langue \u00e0 soi, refl\u00e9tant de ses mille miroitements les rires et les souffrances de l\u2019enfance, les qu\u00eates adolescentes, la c\u00e9cit\u00e9 de l\u2019exil, la libert\u00e9 retrouv\u00e9e, les peurs et les \u00e9lans, l\u2019art et la po\u00e9sie.<\/p>\n

N\u00e9 \u00e0 Buenos Aires, Alfredo Arias est metteur en sc\u00e8ne et dramaturge. Il s\u2019installe \u00e0 Paris en 1970 et dirige le Centre Dramatique National d\u2019Aubervilliers de 1985 \u00e0 1991. Il pr\u00e9sente en 2006 au festival versaillais des \u00ab F\u00eates de Nuit \u00bb Les Noces de l\u2019Enfant Roi, spectacle qu\u2019il a cr\u00e9\u00e9 et mis en sc\u00e8ne. Il s\u2019entoure de nombreux collaborateurs, par exemple Chantal Thomas, Les Rita Mitsouko et le sc\u00e9nographe argentin Roberto Plate.
\nIl vient de mettre en sc\u00e8ne deux cr\u00e9ations th\u00e9\u00e2trales \u00e0 Paris : \u00ab Divino Amore \u00bb au Th\u00e9\u00e2tre du Rond-Point et \u00ab l\u2019Ile Flottante \u00bb au Th\u00e9\u00e2tre National de Chaillot.<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

<\/div>\n","protected":false},"excerpt":{"rendered":"

Alfredo Arias Entretiens avec Herv\u00e9 Pons Sortie le 20 mars 2008 aux Editions du Rocher La recherche d\u2019Alfredo Arias, entre Argentine et France, est extr\u00eamement singuli\u00e8re. L\u2019auteur, metteur en sc\u00e8ne internationalement reconnu, c\u00e9l\u00e9br\u00e9 comme un ma\u00eetre dans les grandes capitales europ\u00e9ennes, conserve un brin de folie qui le place en marge des courants et des …<\/p>\n

L’\u00e9criture retrouv\u00e9e<\/span> Lire la suite\u00a0\u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[5],"tags":[],"class_list":["post-127","post","type-post","status-publish","format-standard","hentry","category-editions"],"acf":[],"_links":{"self":[{"href":"https:\/\/alfredo-arias.com\/new\/wp-json\/wp\/v2\/posts\/127","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alfredo-arias.com\/new\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alfredo-arias.com\/new\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alfredo-arias.com\/new\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/alfredo-arias.com\/new\/wp-json\/wp\/v2\/comments?post=127"}],"version-history":[{"count":3,"href":"https:\/\/alfredo-arias.com\/new\/wp-json\/wp\/v2\/posts\/127\/revisions"}],"predecessor-version":[{"id":363,"href":"https:\/\/alfredo-arias.com\/new\/wp-json\/wp\/v2\/posts\/127\/revisions\/363"}],"wp:attachment":[{"href":"https:\/\/alfredo-arias.com\/new\/wp-json\/wp\/v2\/media?parent=127"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alfredo-arias.com\/new\/wp-json\/wp\/v2\/categories?post=127"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alfredo-arias.com\/new\/wp-json\/wp\/v2\/tags?post=127"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}