{"id":239,"date":"2017-07-24T18:52:45","date_gmt":"2017-07-24T16:52:45","guid":{"rendered":"http:\/\/www.alfredo-arias.com\/new\/?p=239"},"modified":"2017-07-24T20:01:29","modified_gmt":"2017-07-24T18:01:29","slug":"trois-tangos","status":"publish","type":"post","link":"https:\/\/alfredo-arias.com\/new\/trois-tangos\/","title":{"rendered":"Trois tangos"},"content":{"rendered":"

Tatouage, Trois tangos, Cabaret Brecht Tango Broadway<\/a>\u00a0\u203a\u00a0Trois tangos<\/em><\/strong><\/h4>\n

d’Alfredo Arias<\/h2>\n

en tourn\u00e9e\u00a0de novembre 2010 \u00e0 mai 2011<\/strong><\/h4>\n
livret<\/strong>\u00a0Alfredo Arias et Gonzalo Demaria
\nmise en sc\u00e8ne<\/strong>\u00a0Alfredo Arias
\ncr\u00e9ation musicale<\/strong>\u00a0Axel Krygier
\narrangements musicaux<\/strong>\u00a0Pedro Onetto
\nchor\u00e9graphie et interm\u00e8des dans\u00e9s<\/strong>\u00a0Jorge Rodriguez et Maria Filali
\navec<\/strong>\u00a0Carlos Casella, Larry Hager, Marcos Montes, Alejandra Radano<\/h5>\n

Du tango, des airs de mandoline, des m\u00e9lodies \u00e0 la Bee Gees m\u00e2tin\u00e9s des Beatles traversent ce monde ou les personnages sont poss\u00e9d\u00e9s par la vengeance amoureuse.<\/p>\n

Premier \u00e9pisode. Vampire en rouge b\u00e9mol\u00a0<\/strong>
\nDans un cabaret de Buenos Aires, dans le clair-obscur des ann\u00e9es 30-40, un homme prostitue sa femme dans l\u2019intention de plumer quelques innocents tomb\u00e9s dans le filet de la s\u00e9duction de la belle. Or, cette fois l\u2019ing\u00e9nu racol\u00e9 va s\u00e9duire l\u2019intr\u00e9pide s\u00e9ductrice : elle passera du r\u00f4le de dominatrice \u00e0 celui d\u2019esclave. Son pr\u00e9tendu fianc\u00e9 lui propose le mariage. Elle expose cette possibilit\u00e9 de d\u00e9livrance \u00e0 son mari maquereau qui refuse cat\u00e9goriquement, m\u00eame s\u2019il doit \u00eatre correctement d\u00e9dommag\u00e9. La femme perdue dans les m\u00e9andres de l\u2019histoire dira \u00e0 son amant que l\u2019homme du cabaret n\u2019est autre que son p\u00e8re qui abuse d\u2019elle et lui interdit le mariage. Un coup de couteau ach\u00e8vera le faux p\u00e8re. Ainsi veng\u00e9e, la femme emm\u00e8nera dans son lit vampiresque sa prochaine proie.<\/p>\n

Deuxi\u00e8me \u00e9pisode. Poissons volants.<\/strong>
\nDes airs de mandoline accompagnent le vol de la femme-oiseau, trap\u00e9ziste qui a abandonn\u00e9 la piste d\u2019un vieux cirque pour la fortune d\u2019un mari d\u00e9cadent et ivrogne. Au cours de leur voyage de noces vers Rio, la trap\u00e9ziste, flambante jeune mari\u00e9e, s\u00e9duit le capitaine du bateau qui languit d\u2019amour pour une sir\u00e8ne rencontr\u00e9e dans le port de Lampedusa. La femme-oiseau enl\u00e8ve son masque et fascine le capitaine pr\u00eat \u00e0 tout pour la faire sienne. Mais que faire de son mari ivrogne, qui passe ses journ\u00e9es \u00e0 lorgner le passage des poissons volants, des poissons papillons. Il suffirait de peu de choses pour que le mari puisse finalement retrouver ces poissons tellement admir\u00e9s. Ce coup de main bienfaisant sera-t-il donn\u00e9 par elle, par l\u2019amant ou par l\u2019alcool ?<\/p>\n

Troisi\u00e8me \u00e9pisode. Le rat de la Contrescarpe<\/strong>
\nDes m\u00e9lodies \u00e0 la Bee Gees en connivence avec des airs \u00e0 la Beatles encadrent les aventures d\u2019une actrice d\u2019avant-garde sp\u00e9cialis\u00e9e dans les personnages animaliers. Elle demande \u00e0 un grand sculpteur, au visage meurtri, de lui fabriquer un masque de rat. C\u2019est le coup de foudre, un in\u00e9vitable mariage s\u2019ensuit, mais l\u2019artiste abandonne sa jeune femme pour assister \u00e0 ses nombreux vernissages de par le monde.<\/p>\n

Appara\u00eet alors le jumeau de l\u2019artiste, exacte r\u00e9plique, mais au visage intact et \u00e0 la sexualit\u00e9 hermaphrodite. L\u2019actrice toujours en qu\u00eate d\u2019extraordinaire voit ses attentes d\u00e9pass\u00e9es par la r\u00e9alit\u00e9. Ils deviennent amants et complotent au sujet de la future disparition du mari.<\/p>\n

Ce dernier les surprend au cours de leurs manigances. L\u2019artiste prendra les devants et essaiera d\u2019en finir avec son double jumeau. Or nous savons que le crime parfait n\u2019existe pas\u2026<\/p>\n","protected":false},"excerpt":{"rendered":"

Tatouage, Trois tangos, Cabaret Brecht Tango Broadway\u00a0\u203a\u00a0Trois tangos d’Alfredo Arias en tourn\u00e9e\u00a0de novembre 2010 \u00e0 mai 2011 livret\u00a0Alfredo Arias et Gonzalo Demaria mise en sc\u00e8ne\u00a0Alfredo Arias cr\u00e9ation musicale\u00a0Axel Krygier arrangements musicaux\u00a0Pedro Onetto chor\u00e9graphie et interm\u00e8des dans\u00e9s\u00a0Jorge Rodriguez et Maria Filali avec\u00a0Carlos Casella, Larry Hager, Marcos Montes, Alejandra Radano Du tango, des airs de mandoline, des …<\/p>\n

Trois tangos<\/span> Lire la suite\u00a0\u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[8],"tags":[],"class_list":["post-239","post","type-post","status-publish","format-standard","hentry","category-sous-page"],"acf":[],"_links":{"self":[{"href":"https:\/\/alfredo-arias.com\/new\/wp-json\/wp\/v2\/posts\/239","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alfredo-arias.com\/new\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alfredo-arias.com\/new\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alfredo-arias.com\/new\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/alfredo-arias.com\/new\/wp-json\/wp\/v2\/comments?post=239"}],"version-history":[{"count":6,"href":"https:\/\/alfredo-arias.com\/new\/wp-json\/wp\/v2\/posts\/239\/revisions"}],"predecessor-version":[{"id":251,"href":"https:\/\/alfredo-arias.com\/new\/wp-json\/wp\/v2\/posts\/239\/revisions\/251"}],"wp:attachment":[{"href":"https:\/\/alfredo-arias.com\/new\/wp-json\/wp\/v2\/media?parent=239"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alfredo-arias.com\/new\/wp-json\/wp\/v2\/categories?post=239"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alfredo-arias.com\/new\/wp-json\/wp\/v2\/tags?post=239"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}